Browsing Category album track
Art Brut – She Kissed Me And It Felt Like A Hit
Art Brut, or as the Brits call it, Outsider Art is art by self-taught or naïve art makers. When Eddie Argos formed a band, in 2003, he thought Art Brut was the perfect name for it. One of the first things he subsequently did, was writing a song about forming a band. It became their first hit.
15 years later, and seven years since their latest effort Brilliant! Tragic!, Art Brut just released their fifth album Wham! Bang! Pow! Let’s Rock Out! Argos’ trademark speak-sing delivery is still omnipresent, but we get horns as an added bonus. For instance on my favourite album track She Kissed Me And It Felt Like A Hit.
The song title refers to The Crystals’ controversial 1962 single He Hit Me (It Felt Like A Kiss). “I love a big glorious love song,” Argos says about it. “This is one and it’s about love at first kiss, it’s about immediately knowing the person you are with is even better than appearing on Top Of The Pops and what could be more glorious than that?”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
The Smashing Pumpkins – Alienation
The title of The Smashing Pumpkins’ new album is Shiny And Oh So Bright, Vol. 1 / LP: No Past. No Future. No Sun.. That’s about as long as the period between this album and the latest to feature founding members Billy Corgan, James Iha and Jimmy Chamberlin, which was 2000’s Machina / The Machines Of God. As widely reported, bassist D’arcy Wretzky is absent from the new recordings, but long-time guitarist Jeff Schroeder fills her shoes.
The new, Rick Rubin produced long player includes the singles Solara, Silvery Sometimes (Ghosts) and the beautiful Knights Of Malta, but Alienation is my absolute favourite. Although the piano melody only consists of two notes, it helps build the song. The same goes for the acoustic guitar and the drums, actually, and James Iha probably didn’t have to study hard for his bass part either. Still, with its added strings and trademark electric guitar, this is a Smashing Pumpkins song by the book, that goes from strength to strength until it ends with the same two repeated piano notes it started with.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Corine – Un Air De Fête
After two EP’s, French nu-disco queen Corine just released her first full album Un Air De Fête. A long-player with equal parts groove, sensuality and kitsch, where Giorgio Moroder, Nouvelle Vague and even Jean Michel Jarre are never far away. But the singer with the Jane Fonda looks also explores chanson territory in the few ballads present. All in all, the album couldn’t possibly have sounded more French.
Apart from Cocktail, all Corine’s past singles are there: Pourquoi Pourquoi, Il Fait Chaud, Maquillage and Première Traversée. Pourquoi Pourquoi (with its hilarious video) surely deserves to be re-released, now that Corine is ‘hot’ in every sense. But out of the other tunes, the album’s title track is easily my favourite.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Jenifer – Hey Jen
Jenifer (born Jenifer Yaël Dadouche Bartoli in 1982) is a French singer. Just 20 years old, she won the first season of TV talent show Star Academy. Since then, she released eight albums, although the most recent – Nouvelle Page – almost hadn’t come about. After being involved in a heavy traffic accident in March 2017, the singer considered halting her career. She decided to turn the page however, changing label and management. So, in more ways than one, her present comeback explains the album’s title, which translates as ‘new page’.
My favourite track off the album is Hey Jen. A funky and danceable song with a happy vibe, but a deeper meaning: it’s a rant against the paparazzis who have been following her for 17 years now. Easy on the ears, the message hits hard.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Yonaka – Death By Love
Yonaka are one of the most exciting new bands from the UK. From Brighton, to be exact, which is an extra seal of quality nowadays. Fronted by lead singer Theresa Jarvis, the band serves dark alt.pop with cool riffs and catchy hooks.
Following numerous singles and the EP’s Heavy and Teach Me To Fight, Yonaka just released their third EP Creature. Death By Love is my favourite track off it. A great display of what the band stands for musically, and lyrically intriguing as well; the song is written from a serial killer’s perspective…
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Hollydays – Minuit (La Baie Noire)
Hollydays are Elise Preys and Sébastien Delage, a pop duo from Paris. Seven years ago, they came together in high school. At first, they were playing covers, but in 2012, they started writing their own songs as Hollydays. Pop songs, that is, by its original meaning, being ‘popular’. The band love melodies that everyone can sing, all together. Their musical vision: a good melody can make the difference.
After releasing a single and three EPs over the years, Hollydays have finally put out their debut album Hollywood Bizarre. Four of their old songs are on it, next to nine new ones. I’m particularly fond of Minuit (La Baie Noire). A Vive La Fête kind of electronic pop song with great instrumentation and catchy vocals. Frencher than French.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Sophie & The Giants – Waste My Air
Glad you guys like Sophie & The Giants as much as I do! Last week, I could reveal that my recommendation of their single Bulldog was the most read Carte Blanche Music blog in October. In the meantime, the band also managed to enter the European Border Breakers Chart with the song.
Last week, singer Sophie Scott, guitarist Toby Holmes, bass player Bailey Stapledon and drummer Chris Hill released their first EP Adolescence. In a week and a half, opening track Waste My Air has developed into the band’s most popular track on Spotify. Four tracks into their career, it is indeed their most accessible track so far. I wouldn’t be surprised if (radio) playlist curators would pick it up, enabling Sophie & The Giants’s well-deserved definitive break-through.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Arthur Adam – O
Arthur Adam is a talented and respected Dutch singer-songwriter with a great, instantly recognizable voice. He is part of a multitude of bands and projects, where he follows his own inclination, playing music from the heart and never avoiding an experiment or two. Often, his music isn’t easy listening, but it isn’t meant to be. One of his bio’s started with the line: ‘Arthur Adam makes music because he has to’. His current bio states: ‘Arthur Adam makes music out of deep personal need/urge’. What’s not to praise about that?
Still, the music he puts out under his own name often does come very close to pop music. Pretty random examples are Happy Hangover, Dividing A Spider, Older and She’s A Mystery.
As one of his first supporters, I was happy to learn Arthur recorded a new EP, entitled Dances. It was a spontaneous affair. This is what he wrote me about it: “Last summer, I suddenly felt like recording a few songs, and that’s what I did: made the plan in July, rehearsed and recorded in August, mixed and mastered in September. What came out was a guitar pop EP with up-tempo pop/rock songs, influenced by Weezer, early Joe Jackson, Ben Folds, Joni Mitchell, Darryl-Ann and the rest of my record collection.”
That’s some bunch of references!
All six of the tracks on Dances were recorded on 21 en 22 August by long-time musical partner Tim van Doorn, who also played the bass and mixed and mastered the songs. Arthur Adam sung, played guitars, drums and keys. The EP is out now on Van Doorn’s and Adam’s own label BandBus Records.
My favourite EP track is simply titled O. A rock song full of energy and drive, a bit like Voicst’s Whatever You Want From Life. But the other five tracks are very much worth checking out as well. Pop music for grown-ups.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 41):
Janelle Monáe – Americans
On her latest album Dirty Computer, which was preceded by the single Make Me Feel, Janelle Monáe saved the best for last. Americans is the closing track on the album. Combining elements of pop, gospel, R&B, funk and neo-soul, it sounds like a tribute to Prince’s Let’s Go Crazy, but in fact, the song preaches the importance of all Americans coming together and being recognized for who they are and what they contribute to their country. But as we all know, that’s not the way it works in the United States nowadays. Non-male Americans, queer Americans, Americans of colour, poor Americans, etc. are looked down upon.
A spoken bridge and outro by Reverend Sean McMillan lists the marginalised people in contemporary America: “Until women can get equal pay for equal work… Until same-gender-loving people can be who they are… Until black people can come home from a police stop without being shot in the head… Until poor whites can get a shot at being successful… Until Latinos and Latinas don’t have to run from walls… this is not my America.”
I’m not sure if this is Monáe’s new single, but it’s playlisted by BBC Radio 6music. And that’s not all; a great track like this, with such an important message, deserves to be next week’s Carte Blanche Music Wildcard! All 41 of them, so far, are in the Wildcards 2018 playlist.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Christine & The Queens – Le G
In 2014, all of a sudden, a new pop star stood up in France: Héloïse Letissier with her musical alter ego Christine & The Queens. A stylish act, both musically and in clothing, that can count artists like Stromae, Lorde and Madonna as fans.
Her debut album Chaleur Humaine contains slightly disruptive synthesizer pop (which she calls ‘freak pop’ herself). Letissier sings an awkward mix of French and English, that even the French don’t quite get. Yet (or perhaps because of that) it became a multi-platinum hit. First in her home country, and a year later in the rest of Europe. In order to try and conquer the United States, she re-recorded some of her songs in English and re-released her album.
Now, the artist makes her next move: her new album Chris comes in two versions: one in French and one in English. They’re not completely the same, though, as the French version has one track more, and two of the French songs don’t appear on the English version.
One of those two songs is my favourite on the set: Le G. The music on this new album being more funky and more sexy, I’m not sure whether this track is about G-funk or the G-spot, but either way: it’s as great as it is funky and sexy. Think Janet Jackson, for instance. Even the electric guitar solo at the end fits in nicely with the smooth overall production. Formidable!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
