Browsing Category wildcard
Wildcard (week 28):
Frank Turner – Sister Rosetta
A stadium act in his home country Great Britain, Frank Turner has yet to reach the general public abroad. But his popularity is steadily growing through constant touring.
His new single Sister Rosetta is a very ‘90s-sounding guitar pop song (Fountains Of Wayne’s Stacy’s Mom springs to mind, but without the power chords) and an ode to Sister Rosetta Tharpe. A musical and spiritual example for artists like Elvis Presley and Johnny Cash, she was nicknamed the ‘Godmother of rock ‘n roll’.
The single precedes Turner’s new album No Man’s Land, which will count 13 songs: 12 about historically important women and one about his own mother. A release date has not yet been set, but what I can announce, is that Sister Rosetta by Frank Turner is this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 27):
Miki Núñez – Celébrate
By winning Spanish TV talent show Operación Triunfo, Miguel ‘Miki’ Núñez Pozo was selected to represent his country at the 2019 Eurovision Song Contest. With the song La Venda he only ended 22nd, but all of that could be forgotten if his new single becomes the international (summer) hit I think it should be.
Celébrate is an ode to good, healthy living, but if you don’t speak Spanish, it’s still a great, uplifting ska-pop anthem. A well-produced song with horns, acoustic guitars and all of the other elements that bring out the sun.
Miki Núñez’ new single is the best way to celebrate the summer. Therefore, it’s this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 26):
Videoclub – En Nuit
Historically, English has always been the language in charts all over the world. But this is slowly changing. In recent years, we’ve seen songs in Spanish crossing over to non-Spanish-speaking territories, and it’s my guess that French will be next. The number of great acts from France (and from the French-speaking part of Belgium) is overwhelming. And the fun part is: really young artists appear to lead the way to global stardom.
Remember Belgian singer-songwriter Angèle (23), whom I wrote about many times? Allow me to remind you she’s one to watch! But equally impressive is the career that Videoclub are building. The duo consists of Adèle Castillon (17), a YouTube phenomenon with over 650.000 followers, and her friend Matthieu Reynaud. With only two singles under their belt, they built a large fanbase, mainly in the US. I can see that from the huge number of Americans that read my recommendation of their second single Roi, and who find Carte Blanche Music via organic searches through terms like ‘videoclub roi’ (duh) and ‘videoclub french band’.
Now, the up and coming electro-pop teens are back with their third single. It’s called ‘En Nuit’, which means ‘at night’, but it’s also a play at ‘ennui’, meaning ‘boredom’. Another ultra-catchy song with sweet synth-pop sounds and gripping ‘ooh-ooh’s, that serve as a pleasant backdrop to Adèle and Matthieu’s youthful and sultry vocals. Don’t forget to check the video as well. It’s made by Aube Perrie, who also directed the clip for La Thune by Angèle.
This week, En Nuit by Videoclub is the Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 25):
K.Flay – Sister
K.Flay is an Illinois born-and-raised, hip hop-inspired alt-pop artist. After two independently released albums in 2009 and 2014, she broke through with her 2017 major label debut Every Where Is Some Where. It received two Grammy nominations. So, the bar has been set high for her next album Solutions, due out 12 July.
If her new single is anything to go by, K.Flay is about to live up to the expectations. Sister is a genre-blurring song, incorporating analogue synths along with live bass and guitar, while shifting between pop, rock, hip hop, and electronic moods. This is the kind of track the word ‘banger’ is made for.
K.Flay’s new single Sister will feature prominently on the Carte Blanche Music blog for one whole week as the new Wildcard.
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 24):
Jay Som – Superbike
One to look forward to: on 23 August, Los Angeles-based singer-songwriter Melina Dutertre releases her new album Anak Ko, which means ‘my child’ in the Filipino language. It’s the 25-year-old’s third full length since recording as Jay Som. As always, she produced and engineered it all herself.
Let’s be honest: what can go wrong when an artist cites acts like Prefab Sprout, The Cure and Cocteau Twins as her main influences? As a consequence, Jay Som’s new single Superbike sounds familiar from the first note on. About this song, Duterte says she wrote it ‘aiming for a combination of Cocteau Twins and Alanis Morissette’. To me, it sounds as if Natalie Imbruglia were into shoegaze. It’s indie music, drenched in Californian sunshine.
This week, Superbike by Jay Som is the new Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 23):
Rammstein – Ausländer
Rammstein have never got out of the way of controversy. On the contrary, it’s a game they play very well. No better way to introduce their new eponymous album than with the provocative video for first single Deutschland. Following a milder clip for second single Radio, the band are now back for a next hit, in more ways than one.
Third single Ausländer has a title that may raise eyebrows, but its video also has titties that may raise eyebrows. Content-wise, it plays with both colonialism and the current refugee problem. All of this seems to have been done in order to evoke a debate. Mission accomplished, for contrary to the criticism that followed the Deutschland mini movie, the Ausländer clip has already received much praise, especially outside Germany.
Apart from the imagery, I think Rammstein’s new single is a great song. Hard-hitting, but with great melodies. As the new Carte Blanche Music Wildcard, Ausländer will feature here prominently for a whole week!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 22):
boy pablo – 50 Souls And A Discobowl
One of last year’s best singles in my opinion was Losing You by boy pablo, a Norwegian group of high school best friends, fronted by now 20-year-old Pablo Muñoz. Recently, they recorded two Spotify Singles at the streaming platform’s Stockholm studio. One of them a new version of Ready/Problems, the original of which featured on the band’s 2017 debut EP Roy Pablo; the other a cover of 50 Souls And A Discobowl, a Norwegian indie classic by The Lionheart Brothers, dating from 2007.
“It is a song I have listened to since I was a kid,” Muñoz says in a press release. “I remember the feeling I had the first time I heard the song, and I remember that I think it sounds amazing. I wanted to take the song out of the sound it had original and make it more modern, just to give it some light and attention again. I think it was a great way to show off this cool underground band from Norway, which in my opinion never got the attention they deserved while they were active,” he adds.
Mission accomplished, as far as I’m concerned. 50 Souls And A Discobowl sounds totally fresh and contemporary, without throwing the charm and drive of the original overboard. Just like Losing You in 2018, 50 Souls And A Discobowl by boy pablo is this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 21):
Countless Numbers – Twice As Hard
Countless Numbers are a 4-piece rock band out of Toronto, Canada. Influenced by Spoon, The New Pornographers, Arcade Fire, and even Elvis Costello, they tell their story through honest song-writing, rolling basslines, hard truths, and soft angles. Countless Numbers harmonize heartbreak over crunchy guitars, melodic keys, pumping basslines and a driving kick drum.
The band followed their 2016 EP Won with the EP Seconds last March. Twice As Hard, sung by Cary Parker in a voice reminiscent of John Hiatt or Buffalo Tom’s Bill Janovitz, is its first single.
This week, Twice As Hard by Countless Numbers is the Carte Blanche Music Wildcard. Play it twice as loud!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 20):
The Heavy – Fighting For The Same Thing
On 17 May, British rock band The Heavy will release their fifth album Sons. Fighting For The Same Thing is the horn-tinged, electro soul-based, funk-infused new single off it. The song states that progress is only achievable when we all stand together as a unified force.
“Fighting For The Same Thing is a testament to the work that is needed to make the relationships that we consider important in our daily lives, healthier and more fulfilling, whether family, soulmates, partners, or council governments,” says lead singer Kelvin Swaby. “It’s the feeling of knowing the choices and events that affect our idea of a better day, and being part of those decisions, when we become complacent and comfortable, things fall apart and fighting for what’s right, made the future for generations ever brighter action is always required.”
This week, Fighting For The Same Thing by The Heavy features prominently on this blog as the new Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 19):
Aldo Vanucci feat. Kylie Auldist – Get A Hold On This
Since his first album Straight Lift in 2007, Aldo Vanucci (‘Plymouths 14th best DJ’) hasn’t sat still. He released stand-alone singles, as well as EP’s such as Walk Like A Man (2008), Love Is Loops (2012) and Love Is Loops, Volume 2 (2013). The latter already included a bona fide classic track: Get A Hold On This, featuring the instantly recognisable voice of Australian soul singer Kylie Auldist. She is best-known for being the featured vocalist on Kungs vs. Cookin’ On 3 Burners’ smash hit This Girl, but she’s also the regular frontwoman for Australian giants of funk, The Bamboos.
Now, six years later, Get A Hold On This is included on Vanucci’s second full-length album Digging For A Living, and once again, the track is pushed forward to perform its promotional duties. This time, The funky original is accompanied by a pair of soulful remixes, courtesy of The Allergies and Dr. Rubberfunk.
Get A Hold On This by Aldo Vanucci feat. Kylie Auldist is this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
