Browsing Category wildcard
Wildcard (week 14):
Georgia – About Work The Dancefloor
If you follow Carte Blanche Music since it started, back in January 2017, you may remember me recommending Georgia’s singles Feel It and Started Out. If you don’t, no offence 😉
Georgia, the 27-year-old daughter of Leftfield’s Neil Barnes, started her career as a session drummer, before releasing her self-titled debut album in 2015. The singles I mentioned came out later, in 2017 and 2018, respectively.
While these two songs set the stage for Georgia, her new single might just be the track to properly launch her career. About Work The Dancefloor is this week’s Carte Blanche Music Wildcard! It sounds like the best song Robyn never wrote, and incorporates a great Kraftwerk-like synth line. Lyrically (“I was just thinking ‘bout work the dancefloor”) it has a grammatical construction that’s so awkward, it can’t help but get stuck in your head.
“About Work The Dancefloor is a song written in response to the clubbing culture I experienced in cities whilst touring,” Georgia said in a statement. “Going out and getting that emotion or sensation from a collective energy in various spaces. It’s that stuff of old school disco, the thrill of the dance floor.”
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 13):
Maggie Lindemann – Friends Go
When Los Angeles singer-songwriter Maggie Lindemann released her debut single Pretty Girl in 2016, she immediately hit the bull’s eye. It was a Top 10 hit all over Europe, clocking 550 million Spotify streams to date. That’s such a huge number, that some of her other tracks, with 20 to 50 million streams, almost seem like flops (which they aren’t, obviously).
On her funky new single, Lindemann tries a new sound, incorporating ska elements. In an interview with Billboard, she says that her love of pop-punk and ska hasn’t been represented in her music before, so she wanted to create a track that offered something new to her fans. “I love No Doubt, Panic! At The Disco, but I also love my pop music. So I wanted to give all of that kinda in one, my own take on it.”
Also looking forward to a remix Blink-182’s Travis Barker made of this track. But for now, the single version of Maggie Lindemann’s Friends Go is the Carte Blanche Music Wildcard, giving it the most prominent position on this blog for a whole week.
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 11):
Sam Fender – Hypersonic Missiles
Ever since his early single Greasy Spoon, I’ve been a fan of Sam Fender. I’m sure you will be soon as well (if you’re not already), for his singles keep getting better and better. And that’s not all, he is also embrace by ever larger live audience all over Europe. Last summer, I witnessed his show at the Lowlands festival, which was overwhelming, both for the crowd and Sam and his band. This show got his single Dead Boys some well-deserved extra media attention.
Step by step, Fender’s star is rising, so Hypersonic Missiles is a very appropriate title for his new single. The track is as catchy as can be, and even features a Clarence Clemons-like sax. There’s absolutely nothing not to like in this song. Likely to become an interstellar success, Carte Blanche Music launches Hypersonic Missiles as the new Wildcard!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 10):
Indigo – Distant Lullaby
Indigo are a London-based foursome, including Johann Meux, Matteo Dell’Unto, Tom Horton, and Arran Birks. Here is how the band came together, according to their bio: ‘After we met at the summit of Everest in 2017, the drummer accidentally poured his tea flask on the bassist, so we had a massive fight, fell off the stupid mountain and landed in London.’ Uh-huh… 😉
There isn’t much serious information to be found about Indigo actually, apart from the announcement they will release their first EP next spring. And to make their intentions crystal clear, it’s going to be called the Please Sign Us To Your Label EP.
I think Indigo’s debut single Distant Lullaby is a fabulous pop song, and a possible future summer hit. So, I’d be surprised if they wouldn’t have labels knocking on their door any time soon! For now, I’m proud to announce the track is this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 9):
Sundara Karma – Little Smart Houses
Sundara Karma may very well be one of the most creative bands to come out of the UK lately. None of their songs sound the same. Me, for one, I’m looking forward to the follow-up to their 2017 debut album Youth Is Only Ever Fun In Retrospect.
After Illusions, One Last Night On This Earth, The Changeover, and, most recently, Higher States, the band now unleash Little Smart Houses. It’s the last single to come out ahead of their second album Ulfilas’ Alphabet (scheduled for release in March).
Little Smart Houses is a cheerful song with David Byrne-like vocals and a few productional jokes. It’s poppy and accessible on the one hand, but sure to please fans of more alternative music on the other. This week, it’s the Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 8):
Vendredi Sur Mer – Chewing-Gum
French music is the most sensual music around. There, I said it!
Feel free not to believe me (or even to disagree), but for me, Vendredi Sur Mer’s new single Chewing-Gum is just another affirmation of my thesis. Only a few years on the scene, Swiss-born Charline Mignot already inspired Munya’s song Hotel Delmaro, and her star is rising fast.
22 March, Vendredi Sur Mer’s debut album Premiers Émois will be released. Ahead of it, the singer unveils her new single Chewing-Gum. A song with the classic ingredients, that make me so fond of French music. Basically a chanson, it’s also got a funky groove (that bassline!) and even features a flute and a xylophone. Throughout, Mignot displays her typical vocal style, halfway between singing and speaking. All of this creates an atmosphere of sensuality only matched by certain latin songs, in my opinion.
Chewing-Gum is as catchy and sticky as one can expect from a song with that title. It’s this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 7):
Stats – The Family Business
15 February, London sextet Stats release their debut album Other People’s Lives. The record is inspired by the likes of Roxy Music, Talking Heads and LCD Soundsystem. A month ago, I already recommended the single Lose It off the long-player.
Now, amid increasing media attention, the band are back with an even stronger teaser. The Family Business is an energetic pop song with a driving 80’s influenced drum pattern, presumably originating from the same computer as the rhythm underlying a-ha’s Take On Me.
Stats have a way with catchy tunes, not in the least because frontman Ed Seed was part of La Roux earlier, and played guitar and keys in Dua Lipa’s band. With his new musical project, he’s about to reach the same heights. As a first step in this direction, Stats’s new single The Family Business is this week’s Carte Blanche Music Wildcard, meaning it’ll feature here prominently until next Wednesday!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 6):
Billie Louise – Like Machines
Belgian radio station Studio Brussel has its own talent contest. Each year, a jury and the broadcaster’s listeners choose ‘De Nieuwe Lichting’ (‘the new class’).
This year, one of the nine contestants (selected out of a thousand artists that sent in their music) was Billie Louise, an ultra-young band, consisting of Billie Louise (16, vocals), Dejan (17, drums), and Jérôme (22, keys). They have been together for such a short time, they only played their first ever gig last week.
Billie Louise is the daughter of Reinhard Vanbergen, who played in Belgian bands like Das Pop, The Happy, and Rheinzand. Growing up with pop music, but mainly listening to hip hop herself, she started writing her own songs at the age of 13. Like Machines, a song about a world where people are becoming more and more alike, is the band’s first single. Musically, acoustic instruments like violins and piano are in perfect harmony with synths and beats. A very promising debut.
Billie Louise didn’t win the StuBru competition, but they did win my heart. Like Machines is this week’s Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 5):
Dua Lipa – Swan Song
I’ve got a weak spot for Dua Lipa. In my then radio show, I pronounced her ‘princess of pop’, the first time I played her first official single Be The One in 2015. For me, it’s still one of the best pop singles of this decennium.
In the years that followed, she released a self-titled debut album that spawned 8 commercial singles and a further 3 promotional singles. Also, she was the featured singer on hits by Sean Paul, Martin Garrix, Calvin Harris and Silk City. All of those tracks are present on the Complete Edition of her long-player, effectively making it her first Greatest Hits album. In the meantime, her live shows grew bigger, bolder and better. Dua Lipa is the full package.
Moving on to the next stage of her career, the singer just released a brand-new track. Swan Song is the title song of the forthcoming movie ‘Alita: Battle Angel’. Just like the movie, the video for the song takes place in a futuristic dystopia.
There is a Dutch touch to Swan Song: musician, composer and producer Tom Holkenborg (a.k.a. Junkie XL) wrote the full soundtrack to the movie. By consequence, he is also involved in this great single, which is the new Carte Blanche Music Wildcard.
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 4):
Sigrid – Don’t Feel Like Crying
Since her 2017 debut single Don’t Kill My Vibe earned Sigrid Solbakk Raabe a European Border Breakers Award the year after, she continued to score hits like Strangers, High Five and, most recently, Sucker Punch. All of them are expected to appear on the Norwegian singer’s first album Sucker Punch, that will be out in March.
Ahead of the long player, Sigrid provides us with one more taster. A great sophisticated pop song. Don’t Feel Like Crying deserves to be as big a hit as Carly Rae Jepsen’s Call Me Maybe, for instance.
“There’s a certain grace to heartache,” Sigrid says of the new track. “A sort of… epic grace! I like good, heartfelt pop songs.” So do I, that’s why Don’t Feel Like Crying is the new Carte Blanche Music Wildcard!
In the Wildcards 2019 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
