Browsing Tag disco
Bye Beneco – It’s Not True Love
Hailing from Johannesburg, South Africa, Bye Beneco are an eclectic dream-pop band, led by impressive front woman Lenny-Dee Doucha. With their debut album Space Elephant (2014) and the EP Ghetto Disko (2017), they’ve already been making waves in both the underground and popular culture music scenes. This summer, they move to Berlin to further conquer Europe (and beyond).
Today, as a follow-up to their recent single I’m Not The One, Bye Beneco released their new song It’s Not True Love. Another danceable indie-pop track, and their best yet, in my opinion.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 23)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- boy pablo – 50 Souls And A Discobowl (Wildcard this week)
- Countless Numbers – Twice As Hard (Wildcard last week)
- Delmoro – Dove Siamo Finiti
- Girli – Up And Down
- Inhaler – My Honest Face
- Izzy Bizu (feat. Chris Martin) – Someone That Loves You ’19
- The Snuts – All Your Friends
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Bakermat, Circa Waves, Hot Chip, Noel Gallagher’s High Flying Birds, and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Delmoro – Dove Siamo Finiti
After graduating in architecture, Mattia Del Moro reinvented himself and turned a singer by the stage name of Delmoro. A year after his debut album Il Primo Viaggio, he released the EP Balìa, including the singles Filippiche and Idiosincrasia, as well as three new songs.
One of those three is his new single Dove Siamo Finiti (‘where we end’). The song is rooted in the Italian song tradition from the ‘60s to the ‘90s, coloured with balearic beats and disco influences.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
The Brand New Heavies feat. N’Dea Davenport – Getaway
In the late ‘80s, early ‘90s of the last century, Acid Jazz wasn’t only an acclaimed record label, its name was also a used to describe the musical genre that was the common denominator of most bands on the label. Signees like Young Disciples, Jamiroquai and The Brand New Heavies all produced music labelled as acid jazz (also known as jazz dance), combining jazz, soul, funk and disco.
In the 1990s, The Brand New Heavies scored hits like Dream On Dreamer, Midnight At The Oasis and You’ve Got A Friend, most of them sung by N’Dea Davenport. While still a popular live act in later years, real hits appeared to be a thing of the past.
Hopefully, a turn of events is on its way, for The Brand New Heavies are back, and they’re also back on Acid Jazz Records. Recently lauded by the likes of Mark Ronson (who invited the band to play at his fortieth birthday celebrations), they have a brand-new (pun intended) single out, once again featuring long-time vocalist N’Dea Davenport. On top of that, it includes a wink at The Emotions’ Best Of My Love.
Getaway is a most welcome return, which spells the beginning of the next chapter, with a new album underway!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 18)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Jain – Gloria (Wildcard this week)
- Hey Violet – Better By Myself (Wildcard last week)
- Bear Ghost – Haunt, The Cartoon Heart
- Kakkmaddafakka – Get Go
- Owl Eyes – You And I / Le Soleil
- Roads To Roam – For A Better Day
- Talisco – Sensation
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Bastille, Cage The Elephant, Foals, Jade Bird, Marina, SOAK, and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Owl Eyes – You And I / Le Soleil
Owl Eyes is the artist name of Australian pop darling Brooke Addamo from Melbourne. She rose to fame in 2008, when she finished 11th in the 6th season of Australian Idol. In 2010, she released her debut EP Faces.
Owl Eyes just released a good old double A-sided single. The second track, Le Soleil, sounds like a chanson straight from the seventies. This feeling is strengthened by the lush strings, easy-going percussion and male parlando, spoken in French.
The first track however, has a distinctively different feel to it, although it also refers to the seventies. You And I sounds like a lost Donna Summer track, produced by the legendary Giorgio Moroder. An epic, up-beat tune!
Although very different, both tracks were helmed by the same person. Like her other recent singles, You And I and Le Soleil were co-written and produced by the Belgian/Italian dance producer, singer-songwriter en deejay Vito De Luca, well-known for his own musical outfit Aeroplane. A very fruitful collaboration!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Papooz – Theatrical State Of Mind
Armand Penicaut & Ulysse Cottin (a.k.a. Papooz) met whilst studying Literature at the Sorbonne university in their home city of Paris. The duo began working on demos of weird pop, inspired by artists as diverse as The Beach Boys, Ella Fitzgerald, and The White Stripes. These demos went on to become their debut album Green Juice.
A few weeks ago, Papooz released their second full-length, Night Sketches. Theatrical State Of Mind is the new single off it. The video pitches the track’s languid disco groove against a surreal dream that Armand had about his bandmate Ulysse. They ‘explain’: “Ulysse le Sévère, the blood thirsty King of Burgundy, invites a couple of twin minstrels to play music in his castle. Just when you think you’re safe… you’re in more danger! A french tale of revenge, lust and forgiveness.”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 8)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Stats – The Family Business (Wildcard this week)
- Billie Louise – Like Machines (Wildcard last week)
- Elliphant – To The End
- Mat Kerekes – Diamonds
- Mauger – Grace Plays Alone
- Pet Shop Boys – What Are We Going To Do About The Rich?
- Sir Notch & Tommy The Sound – Miami Vice
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Avril Lavigne & Nicki Minaj, Catfish & The Bottlemen, Christine & The Queens, Hozier, Stereophonics, and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Sir Notch & Tommy The Sound – Miami Vice
My recommendation of Sir Notch’s single Gimme That Sunshine was one of last year’s best-read Carte Blanche Music posts, ending up third in Your Favourites (2018). So obviously, I won’t hold his new single back from you.
Christon Kloosterboer, under his Sir Notch alias, made the track with his youth pal, Thomas Onderwater (DJ Tommy The Sound). He wanted to make a contemporary disco tune, which I think they succeeded in doing. On Miami Vice, the two blend the funky guitar, synths and other sounds from the 80’s seamlessly with today’s beats. Meanwhile, the lyrics play the nostalgia card. The song’s artwork underlines that feeling masterly, while the lyric video is a trip down memory lane as well.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 7)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Billie Louise – Like Machines (Wildcard this week)
- Dua Lipa – Swan Song (Wildcard last week)
- Cassia – Small Spaces
- dodie – Monster
- -M- – Grand Petit Con
- Nadia Sheikh – Toxic
- Tessa Dixson – Beautiful Pain
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Beck, Caravan Palace, The Heavy, Mercury Rev, and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
