Browsing Tag funk
single track
dance | electronic | funk | gospel | pop
Bakermat (feat. LaShun Pace) – Ain’t Nobody
God-fearing folks and non-believers are united in their praise (pun intended) of gospel music. It’s swinging, uplifting and brings a sense of euphoria and positivity to the table. What’s not to like about tracks like Go Like Elijah, Like A Prayer or even Underground?
Dutch DJ/producer Bakermat’s new single has the potential to be added to this series of classics. Ain’t Nobody is a funky feel-good dance tune, with a groove from here to eternity. And of course it features some deeply spiritual powerhouse vocals, courtesy of world-renowned singer LaShun Pace.
Speaking on the track, Bakermat says: “Since Teach Me, back in 2015, I really wanted to make a gospel inspired tune again. I absolutely love mixing genres and when I stumbled upon the original acapella by LaShun Pace I immediately began writing chords. I’m glad she approved me to release the end result! The track is a happy, cheerful and fun dance record that I’m very proud of. It is best enjoyed in sunny environments with positive people, and could be a real summer soundtrack if you’re into feel-good house music!”
Ain’t Nobody combines a piano, organ, horns, jazzy rhythms and four-to-the-floor beats. It’s the energetic lead single for Bakermat’s upcoming album. To be released this June, The Spirit will include many more funked-up church choirs and boasted spirituality to spice up your life. Hell yeah!
Follow Bakermat on Facebook | Instagram | Twitter | Spotify
Follow LaShun Pace on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weeklyfunk | indie | jazz | pop | rock | soul
Werner’s Weekly (week 21)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Haerts – Days Go By (Wildcard this week)
- Niko Rubio – You Could Be The One (Wildcard last week)
- Edouard Landry – Words
- Rebecca Lou – Lovesick
- Vincent – Down
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Counting Crows, Duran Duran, Eagle-Eye Cherry, Garbage, Twenty One Pilots, Weezer, and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single trackfunk | indie | pop
St. Vincent – Down
Since March, St. Vincent (née Annie Clark) releases a single every month. Each of them was meant to be a teaser for her new album Daddy’s Home, which came out last week. Just like Masseducation, the one before, it was produced by fun.’s Jack Antonoff. Clark explained that the new album was inspired by her father’s release from prison for white-collar crime, as well as his vinyl collection from the ’70s.
By the sound of her latest single, Down, her dad liked his music slick and funky. The song opens with a minimalistic synth riff in the vein of Stevie Wonder. Later on, we also hear touches of soul, electronic music, r&b and indie. Vocally, Kate Bush and Joss Stone appear to have been sources of inspiration. All in all, it’s a diverse track that doesn’t bore for one second.
Follow St. Vincent on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single trackdisco | funk | indie | jazz | pop | rock
Babe Rainbow – Ready For Tomorrow
The last time I wrote about Babe Rainbow, the Australian band was yet to release their debut album. Four years later, they have more than two hands full of singles and three albums to their name. And the fourth, Changing Colours, comes out this week. The record was once again produced by Wayne Connelly, who previously helmed classic records by The Vines, Neil Finn, and You Am I.
Babe Rainbow’s music has an undeniable link with the past. Their new single Ready For Tomorrow, for instance, combines funky disco with jazzy guitars and a Tame Impala kind of psychedelia. Groovy, baby!
Singer Angus Dowling says about the track: “It’s about 21st-century life, finding relief from the stress of both the future and the past. It is about Persephone running into her mother Demeter’s comforting arms.”
I’ll just take another beer then…
Recommended as well:
Babe Rainbow – Johny Says Stay Cool
Follow Babe Rainbow on Facebook | Instagram | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weeklydance | funk | indie | pop | r&b | rock | soul
Werner’s Weekly (week 8)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Drew Sycamore – 45 Fahrenheit Girl (Wildcard this week)
- Almost Monday – Live Forever (Wildcard last week)
- Amen Mustang – (The Shit You Say) When You’re High
- Ivan & The Parazol – Mást Vártam
- Just – Walk Slow Smile More
- L U – Liquid Gold
- The Bamboos – Ride On Time
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: The Fratellis, Pale Waves, Smith & Burrows, Sondre Lerche, and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
cover, single trackfunk | indie | pop | r&b | soul
The Bamboos – Ride On Time
Back in 1989, Italo-house/Euro-dance act Black Box released Ride On Time. A great floor filler, based on a vocal sample of Loleatta Holloway’s 1980 single Love Sensation. Her lyric “Thank you baby, ‘cause you’re right on time” was misquoted in the song title. Nevertheless, it topped several European charts and went on to become the bestselling single of the year in the UK.
32 Years later, the song gets a complete make-over. Australian nine-piece The Bamboos turn the track into an infectious soul/funk tune. It’s not the first time they sink their teeth in another track to turn it completely upside-down. They did so before with songs by everyone from James Blake, Kings Of Leon to London Grammar.
Their reinvented version kicks off with tight, up-tempo drums, followed by the three piece horn section, which carries the song’s hook. Subsequently, The Bamboos’ stellar singer Kylie Auldist does what no-one would have thought possible: she does complete justice to Loleatta Holloway’s inimitable vocal.
Ride On Time will be the closing track on their upcoming tenth album Hard Up, which will be out on 7 May. It’ll also feature the band’s three 2020 singles Hard Up, While You Sleep (feat. Ev Jones) and Power Without Greed.
Recommended as well:
The Bamboos – Night Time People
The Bamboos (feat. Montaigne) – I’ll Make You Happy
Follow The Bamboos on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single trackelectronic | funk | indie | pop
Kuzko – My Mama Says
Danique van der Vlugt en Sam Ouwehand are from the Dutch town of Rotterdam. After releasing two singles as Kuzko in 2019, they both went on an exchange programme. It was their intention to really focus on their music upon their return. That was early in 2020, just before… well… you know.
Not the ones to let their head hang down, they started recording their debut EP, that’ll come out in the Summer. Prepare for a synth-heavy affair, with one purpose only: to make you dance. Full of quirky, funky sounds, it’s best compared to Aussie act Confidence Man.
Talking to The Daily Indie, Danique explained how their infectious new single My Mama Says came about. “We were on my verandah and Sam was working on a beat. Suddenly this lyric popped up in me: ‘My mama says, that I’m a fucking catch’. Next we started building a story around that, like we were writing a mini script.”
The duo ended up with a song full of high school drama and passionate love affairs. Hence the quarrelling in the pre-chorus, which wraps up the whole idea behind the track.
Follow Kuzko on Facebook | Instagram | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weeklydisco | electronic | funk | indie | pop
Werner’s Weekly (week 2)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Philippine – Bah Non. (Wildcard this week)
- Tate McRae – R U OK (Wildcard last week)
- Beks – The Thing About Us
- Daði Freyr & Ásdís – Feel The Love
- Päter feat. Alexandra Willett – MTL
- † † † (Crosses) – The Beginning Of The End
- Harry Styles – Treat People With Kindness
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: London Grammar, Foo Fighters, Róisín Murphy, and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single trackchanson | disco | funk | indie | pop
L’Impératrice – Peur Des Filles
L’Impératrice is a group of six musicians, founded in 2012 by keyboard player Charles de Boisseguin. Only three years later, the current frontwoman, vocalist Flore Benguigui, joined the band. Her soft and sensual way of singing – typically French – largely defined the sound of their 2018 debut album Matahari.
Its follow-up is on its way: L’Impératrice’s sophomore album Tako Tsubo will be out on 26 March. Tako Tsubo is the official name for broken-heart syndrome, which manifests itself by a deformation of the heart due to an intense emotion – a negative or positive one. The album contains 13 songs, four of which have already been released as singles: Fou/Exit, Voodoo?, and Anomalie Bleue.
The fifth single just came out: Peur Des Filles, which translates as ‘afraid of girls’. It’s a witty and sarcastic ode to femininity, including all of the elements the group is known for. It sits somewhere halfway disco and chanson, with a touch of funk. And of course, there’s Benguigui’s voice.
Peur Des Filles comes with an absurd and colourful video, directed by Aube Perrie (Angèle). The clip references ‘Mars Attacks’ as well as ‘60s horror movies.
Follow L’Impératrice on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single trackdisco | funk | indie | pop
Daði Freyr & Ásdís – Feel The Love
If 2020 wouldn’t have been dominated by an unexpected inconvenience, Daði Freyr would have easily won the Eurovision Song Contest for Iceland. Although the competition didn’t take place after all, Freyr’s star has been rising throughout the year. He continued to release ultra catchy and uplifting nu-disco tracks and took the world by storm.
His new single Feel The Love is probably the best and most accessible song he put out so far. It’s sung almost entirely by another hidden gem from Iceland: Ásdís María Viðarsdóttir. The production, although handled by Freyr himself, sounds very Scandinavian, which – as you know – is pop heaven. While ‘80s synths, tights beats, funky guitars and handclaps alternate, Ásdís’ voice cuts like a knife through butter.
If this is Freyr’s submission for the 2021 edition of the Eurovision Song Contest, it’ll undoubtedly be a strong contender for the victory. If it isn’t, he’ll have to settle with a worldwide hit.
Recommended as well:
Daði Freyr & Gagnamagnið – Where We Wanna Be
Daði Freyr & Gagnamagnið – Think About Things
Follow Daði Freyr on Facebook | Instagram | Twitter | Spotify
Follow Ásdís on Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
