Browsing Tag indie
Giant Rooks – Wild Stare
One of the very first recommendations on this blog was for New Estate by Giant Rooks. This was the title track of their second EP. Since then, the German indie band – whose members are all only in their early 20‘s – played a lot of festivals, but they didn’t release any new music. Until now…
Wild Stare is the band’s new single. A catchy song, tightly built around Frederik Rabe’s characteristic voice. A song that will certainly do well during their ‘Wild Stare Tour’, which will bring them to Great-Britain, Belgium, the Netherlands, Austria, Switzerland and Germany in April and May 2019. Around that time, they’ll also release their debut album.
Giant Rooks’s musical influences give away what you may expect: timeless British and American alternative pop, a hint of folk, a touch of electronics, driving rhythms and catchy vocal lines.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 51)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards and the best new releases in alphabetical order:
- I Wear* Experiment – Almere (Wildcard this week)
- The Vaccines – All My Friends Are Falling In Love (Wildcard last week)
- All Good Things – Machines
- Fever High – Avec You
- The Orielles – It Makes You Forget (Itgehane)
- The Specials – Vote For Me
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Ian Brown, Janelle Monae, Pip Blom, Rival Sons and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Bilderbuch – Checkpoint (Nie Game Over)
Bilderbuch pulls the same trick as The 1975, releasing two albums shorly after one another. Last week, to the surprise of many, the Austrian indie band put out their fifth album mea culpa out of the blue, while announcing number six, Vernissage My Heart, has already been scheduled for 22 February 2019.
Mea culpa has a loungy sound, with easy-going beats and groovy guitar licks, occasionally enriched by strings, horns, organs and vocal samples. Album highlight Checkpoint however, is a melancholic shoegaze-kind of song. Its mantra-like chorus ‘Wir sind nie Game over’ makes it an earworm with huge hit potential.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Wildcard (week 50):
I Wear* Experiment – Almere
I Wear* Experiment just released their new EP Jupiterz. It features the Estonian electro-pop trio’s sadly overseen single Dogs and recent follow-up Almere. They wrote the latter tune on some free days in between concerts, in the Dutch city of Almere, where their manager lives. Almere used to be the song’s working title, but the band decided to stick with it. That’s why the title isn’t mentioned in the song’s lyrics at all.
Hot on the heels of their new EP, Johanna Eenma, Hando Jaksi, and Mikk Simson put out a video for Almere. A great song, which isn’t strange, knowing the band cite Chvrches’ edgy big banger beats and Florence & The Machine’s graceful vocals among their influences.
This week, Almere by I Wear* Experiment is the new Carte Blanche Music Wildcard, so it features here prominently for seven whole days!
In the Wildcards 2018 playlist you can find all of this year’s Carte Blanche Music Wildcards so far.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
All Good Things – Machines
You might not have heard of All Good Things, but you may very well have heard their music. This group of Los Angeles-based musicians of varied backgrounds (everything from Halestorm to Britney Spears) have built a fanbase by supplying music to video games and soundtracks. They’ve done this without anyone really knowing who they are, until a growing army of fans tracked them down.
Only a year and a half ago, All Good Things (Dan Murphy – vocals and guitar, Andrew Bojanic – guitar and vocals, Liz Hooper – bass, keyboards and vocals, Miles Franco – guitar, bass and vocals, and drummer Randy Cooke) decided to go public. They put out the album Machines, full of anthemic, bombastic rock tracks, and the title track is the first single off it. Explosive stuff!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Perfect Son – It’s For Life
Last summer, I recommended the song Malomiasteczkowy by Dawid Podsiadło. A great song, but ‘difficult’, for it was sung in Polish. In that respect, It’s For Life by Perfect Son stands a better chance of being picked up outside his home country Poland, as it has English lyrics. The first good signs are already there; the song entered the European Border Breakers Chart at #50 last week. This position was achieved through airplay in Poland and Slovakia, but hopefully the song’s visibility in the EBBChart will stimulate radio stations in other countries to play the song as well.
Perfect Son is the stage name of Polish singer and producer Tobiasz Biliński. Sometime in 2016, just as the began to find success with his electropop project Coldair, he decided it was time for a radical change. Bilifiski restarted his career as Perfect Son, making complex yet accessible pop music. It even got him signed to legendary record label Sub Pop, once the home of The Jesus & Mary Chain, Nirvana, The Postal Service, Saint Etienne and The Shins, and currently of The Afghan Whigs, Fleet Foxes and Soundgarden, to name but a few.
Cast, Perfect Son’s debut album, is slated for release on 15 Februari 2019. It’s For Life is the long player’s first single.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
The Orielles – It Makes You Forget (Itgehane)
2018 has been one hell of a year for The Orielles. Everything grew: the attendance to their shows, their success in general and also the number of band members. Originally made up of sisters Sidonie B and Esmé Dee Hand-Halford and their best friend Henry Carlyle Wade, they recently recruited a new member, Alex Stephens, on keyboards.
Early this year, The Orielles (who chose their band name as a homage to The Shirelles) released their debut album Silver Dollar Moment, which includes the single Let Your Dogtooth Grow. But in an era where artists can’t afford to rest on their laurels, they now come up with not one, but two brand new songs, bundled on a good old-fashioned double A-sided single. The A-side – a tale about their neighbour’s cat – is called Bobbi’s Second World, but allow me to concentrate on the AA-side…
There, we find It Makes You Forget (Itgehane), a song that was already great in the original version by Peggy Gou. The Orielles have turned the electro/acid tune into an indie disco stomper to great effect. They explain: “After noticing a passion for songs that make us emotional, want to dance and quite literally ‘forget’, we decided to cover one of Peggy Gou’s latest floor fillers, ‘Itgehane aka It Makes You Forget’ hoping that we could evoke the aforementioned qualities of music within other listeners!”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 50)
In the past, when people were only exposed to music that was released in their own country, December was a month where nothing much happened, as far as new songs were concerned. Nowadays, with millions of artists all around the world putting their music on platforms like Spotify, available for everybody all over the planet, things are different. Of course, this month, you need to plow through all the well-intentioned Christmas mayhem (don’t look any further, these are the all-time highlights), but then you’ll find a wealth of great new tracks. By Charlotte Gainsbourg, Kakkmaddafakka, KT Tunstall, Smallpools or Underworld, for instance.
Below you’ll find the cream of the crop: Werner’s Weekly, your compass to the music that matters. Treat your ears via the Werner’s Weekly player in the sidebar and/or click the links for more info:
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Art Brut – She Kissed Me And It Felt Like A Hit
Art Brut, or as the Brits call it, Outsider Art is art by self-taught or naïve art makers. When Eddie Argos formed a band, in 2003, he thought Art Brut was the perfect name for it. One of the first things he subsequently did, was writing a song about forming a band. It became their first hit.
15 years later, and seven years since their latest effort Brilliant! Tragic!, Art Brut just released their fifth album Wham! Bang! Pow! Let’s Rock Out! Argos’ trademark speak-sing delivery is still omnipresent, but we get horns as an added bonus. For instance on my favourite album track She Kissed Me And It Felt Like A Hit.
The song title refers to The Crystals’ controversial 1962 single He Hit Me (It Felt Like A Kiss). “I love a big glorious love song,” Argos says about it. “This is one and it’s about love at first kiss, it’s about immediately knowing the person you are with is even better than appearing on Top Of The Pops and what could be more glorious than that?”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Bob Mould – What Do You Want Me To Do
Bob Mould hardly needs an introduction. In the eighties, he was the frontman of Hüsker Dü (who recorded the original version of Therapy?’s hit Diane), and in the nineties of Sugar (check their classic track If I Can’t Change Your Mind). After that, he recorded a long list of solo albums, the most recent one being 2016’s Patch The Sky.
Recently, Mould announced his 13th album Sunshine Rock will be out on 8 February 2019. Following hot on the heels of its title track, What Do You Want Me To Do is the album’s second single. He calls it “a quick take on shaky relationships, coincidental debauchery and the emptiness that typically follows such follies.” A great track if you’re as much a Buffalo Tom fan as I am.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
