Browsing Tag punk
Beachheads – Death Of A Nation
Norwegian pop-rock band Beachheads are a side project of Kvelertak members Vidar Landa and Marvin Nygaard. As you might have guessed from its title, their new single Death Of A Nation is pretty political, with lyrics taking on the rise of fascism worldwide. Musically, it reminds me of the Buzzcocks (which is never a bad thing).
The band explain: “Death Of A Nation pursues the more punk side of Beachheads and was originally hammered out on an acoustic guitar – all the parts coming together first go. Later it became the first song that producer Frode Strømstad picked out to record for the new album. We wanted to keep the rawness of our rehearsal room demo, so throughout the recording process we focused on enjoying ourselves, rather than overthinking it.”
Following their self-titled debut album (2017), Beachheads will release their second long-player later this year. Landa and Nygaard’s main band Kvelertak will do the same, introducing Ivar Nikolaisen (The Good The Bad & The Zugly) as their new singer.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 3)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Lizzo – Juice (Wildcard this week)
- The Lottery Winners – That’s Not Entertainment (Wildcard last week)
- As December Falls – On The Edge
- Chateau Chateau – Evidence
- Evil Edna – Isle Of Dogs
- Mamas Gun – Golden Days
- Uncle Frank – Lay It All At His Feet
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Blood Red Shoes, The Chemical Brothers, Janelle Monáe, Joe Jackson, Radiohead, White Lies and many more.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Evil Edna – Isle Of Dogs
Evil Edna are Paul Cockerham (vocals, harmonica), Joe Thompson (drums), Sam Taylor (bass), and Simon Land (guitar), a rockabilly punk band from London. They have a unique, genre-crossing sound, which blends gypsy harmonica, psychobilly guitar, thumping bass and upbeat drums, as if Madness, The Pogues and the Bintangs were put in a blender. Gogol Bordello fans will be delighted!
If you’re ready to stomp your feet and shake your hips, please meet Evil Edna!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 50)
In the past, when people were only exposed to music that was released in their own country, December was a month where nothing much happened, as far as new songs were concerned. Nowadays, with millions of artists all around the world putting their music on platforms like Spotify, available for everybody all over the planet, things are different. Of course, this month, you need to plow through all the well-intentioned Christmas mayhem (don’t look any further, these are the all-time highlights), but then you’ll find a wealth of great new tracks. By Charlotte Gainsbourg, Kakkmaddafakka, KT Tunstall, Smallpools or Underworld, for instance.
Below you’ll find the cream of the crop: Werner’s Weekly, your compass to the music that matters. Treat your ears via the Werner’s Weekly player in the sidebar and/or click the links for more info:
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Art Brut – She Kissed Me And It Felt Like A Hit
Art Brut, or as the Brits call it, Outsider Art is art by self-taught or naïve art makers. When Eddie Argos formed a band, in 2003, he thought Art Brut was the perfect name for it. One of the first things he subsequently did, was writing a song about forming a band. It became their first hit.
15 years later, and seven years since their latest effort Brilliant! Tragic!, Art Brut just released their fifth album Wham! Bang! Pow! Let’s Rock Out! Argos’ trademark speak-sing delivery is still omnipresent, but we get horns as an added bonus. For instance on my favourite album track She Kissed Me And It Felt Like A Hit.
The song title refers to The Crystals’ controversial 1962 single He Hit Me (It Felt Like A Kiss). “I love a big glorious love song,” Argos says about it. “This is one and it’s about love at first kiss, it’s about immediately knowing the person you are with is even better than appearing on Top Of The Pops and what could be more glorious than that?”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Knife Club – When My Eyes Are Heavy
I’m excited to introduce you to the very first single of Knife Club. This band was formed by three experienced musicians of the Brighton music scene: singer/bassist Chris Hollands, drummer Dave Bishop and guitarist Louis May. They came together in an attempt to make something different to what they had done before, but also modern and relevant.
When My Eyes Are Heavy is a blast of fresh energy, influenced by bands such as Idles, Interpol and Thee Oh Sees. Knife Club recorded this debut at the Levellers’ Metway Studio, where it was produced by Toby May (The Maccabees, The Electric Soft Parade, Clearlake). Those are great references in my book!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Werner’s Weekly (week 45)
Before the digital revolution, release strategies in the music business were clearly structured; the big-shot artists all came up with new material in October and November, well-placed to fully benefit from the tradition of exchanging presents at Christmas. The start of each new year was the best moment for emerging artists to drop new music, as the established ones had already shot their bolt in the months before.
However, things have changed since the arrival of – especially – the streaming platforms. They lowered the bar to put out music to a potentially worldwide audience, causing a diarrhoea of releases throughout the year, particularly on New Music Fridays. Personally, I love it, but the downside is, that we’re now in a situation of quantity over quality…
This is where Carte Blanche Music comes in! Each week, I listen to as many new songs as I can, but I only add the best tracks to my Carte Blanche Music Spotify playlist. Those additions are then narrowed down into my alphabetically ordered ‘best of the best’ list Werner’s Weekly, which is your compass to the music that matters.
This week’s edition is below, with links to my original recommendations. You can listen to the songs via the Werner’s Weekly player in the sidebar.
- The Proclaimers – Then It Comes To Me (Wildcard this week)
- Isaac Gracie – Show Me Love (Wildcard last week)
- Arthur Adam – O
- Clean Cut Kid – Emily
- Club Drive – Satisfied
- Reel Big Fish – You Can’t Have All Of Me
- Roads To Roam – Believe
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Reel Big Fish – You Can’t Have All Of Me
At the end of the 80’s, Fishbone were one of the earliest ska punk bands. They were a real treat live. The 90’s gave us acts like No Doubt, Reel Big Fish, Smash Mouth and Rancid, but the last two centuries, hardly any ska punk band achieved mainstream success anymore. Wouldn’t it be great to have a ska punk revival?
Maybe Reel Big Fish can lead the way again. Probably best-known for their early singles Sell Out, She Has A Girlfriend Now and a-ha cover Take On Me, the band have never really been away. But their new single You Can’t Have All Of Me is their best in recent memory. Back to the old days, in a good way. Even better: a new album, Life Sucks… Let’s Dance, is announced for December. Party on, dudes!
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Calva Louise – I Heard A Cry
Calva Louise are a London based trio, consisting of Jess Allanic (vocals, guitar), Alizon Taho (bass, backing vocals) and Ben Parker (drums, backing vocals). A band on the rise, that’s for sure. They will certainly be liked by people who loved Shampoo in the mid 90’s, or Girli, more recently.
I Heard A Cry, a wonderful slice of bubble gum punk rock, is Calva Louise’s fourth single. It’s the second track to be lifted from their debut album (which is set for release early next year). The upbeat song features fuzzy guitars, a thumping bass line and Allanic’s trademark biting vocals on the one hand, but obvious pop sensibilities and tons of fun on the other. But listen quickly, for it’s over in just 2 minutes.
The band say about the track: “I Heard A Cry deals with the misinformation we often feel regarding what’s happening elsewhere in the world. But at the same time, it’s about the will of many people who are trying to inform themselves.”
For more great new music, follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
Girli – Day Month Second
Is acid punk a genre? If not, North London’s Girli (born Milly Toomey) may just have invented it. Her new single Day Month Second comes 294 days, 9½ months, 423.360 seconds after the track Hot Mess, that I already liked so much.
“Day Month Second is my breakup anthem,” she says. “It’s about wanting to get over someone so bad but not being able to shake the memory of them and how they messed you around. It’s an angry, sad, but also liberating tune.”
For more great new music follow the constantly updated Carte Blanche Music playlist.
Music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Has been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, he developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart.
