Browsing Tag r&b
werner's weekly
Werner’s Weekly (week 16)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Yelle – Noir (Wildcard this week)
- Who – Hey! Get Out The Way (Wildcard last week)
- Ashe – I’m Fine
- Carla de Coignac – Danse
- Glades – Limbo
- Jan-Marten Block – Never Not Try
- The Vain Travail – Do You See The Sun?
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Barenaked Ladies, Fickle Friends, Pale Waves, and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weekly
Werner’s Weekly (week 15)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Who – Hey! Get Out The Way (Wildcard this week)
- RoseeLu – Playing Alone (Wildcard last week)
- Danilo – Bringing It Back
- Devon – Warning Signs
- Paloma – 2AM (Love Again)
- Rori – The Same Way
- Vistas – Start Again
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Alice Merton, Crowded House, Texas, Twenty One Pilots, Years & Years and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single track, wildcardWildcard (week 14):
Wildcard (week 14):
Who – Hey! Get Out The Way
When I spotted a track with the title Hey! Get Out The Way in the Danish New Music Friday playlist, I presumed it would be a cover of The Cardigans’ Hey! Get Out Of My Way. It isn’t, however. That said, it’s very hard to find out what it actually is. I mean, calling your project Who isn’t going to make it easy to find any info via Google, is it? Furthermore, a Spotify bio is lacking as well. The only thing I know for sure, is that Hey! Get Out The Way is Who’s debut single. And a damn fine one as well.
The rest remains pretty much a mystery, and it might even be meant to be. One can only guess it’s a Danish project, as it appeared in the Danish NMF playlist. This guess appears to be confirmed by the fact the track was co-written by Nabiha Bensouda. She’s a very fine (Danish) artist in her own right. I’m especially fond of her early singles, like Deep Sleep and Never Played The Bass from circa 10 years ago.
Anyway, ‘who’ever Who is or are, Hey! Get Out The Way is a great debut, that echoes Lizzo’s Good As Hell. What’s not to like about that? If you like a good pop-r&b-soul crossover, this one’s for you. The single is this week’s Carte Blanche Music Wildcard, which means it’ll feature prominently at the top of this blog for a whole week!
Follow Who on Spotify
In the Wildcards 2021 playlist you’ll find all of this year’s Carte Blanche Music Wildcards so far.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single track
Jessy Yasmeen – Holy Water
Jessy Yasmeen is an emerging artist with both Dutch and South-American roots. Over the past years, she played over 200 shows in The Netherlands and Germany and won some important music awards. In 2020, under the wings of a new label, she released several singles and two EP’s. Her songs were playlisted by radio stations and curators all over the world.
Now, she’s ready for the next step. Ahead of her debut album Formation, due out in the Autumn, she’ll release another set of singles. According to a statement these will be ‘bigger, more poppy and personal’. And, for the first time, self-produced. Her new songs are meant to challenge listeners to be vulnerable, help conquer personal battles with underlying fear, and break those taboos.
Holy Water is the first, very promising example. This earworm is a cross between pop, soul and R&B. Sure to go down well with fans of Adele, Joss Stone and Alicia Keys.
Yasmeen says the track started as a song about her narcissistic ex. However, the meaning changed figuring out it was all about her not loving herself. She recalls: “I looked up to him. I adored him like a God. His words were like the testament to me and his will like the commandments. But if he was God and God was love then why was I not fulfilled? It was me that was feeding his ego afraid of losing him. Because I already gave up on me. But the day he left me was a blessing. That’s when my formation started, a purification of the soul.”
Follow Jessy Yasmeen on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weekly
Werner’s Weekly (week 8)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Drew Sycamore – 45 Fahrenheit Girl (Wildcard this week)
- Almost Monday – Live Forever (Wildcard last week)
- Amen Mustang – (The Shit You Say) When You’re High
- Ivan & The Parazol – Mást Vártam
- Just – Walk Slow Smile More
- L U – Liquid Gold
- The Bamboos – Ride On Time
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: The Fratellis, Pale Waves, Smith & Burrows, Sondre Lerche, and more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
cover, single track
The Bamboos – Ride On Time
Back in 1989, Italo-house/Euro-dance act Black Box released Ride On Time. A great floor filler, based on a vocal sample of Loleatta Holloway’s 1980 single Love Sensation. Her lyric “Thank you baby, ‘cause you’re right on time” was misquoted in the song title. Nevertheless, it topped several European charts and went on to become the bestselling single of the year in the UK.
32 Years later, the song gets a complete make-over. Australian nine-piece The Bamboos turn the track into an infectious soul/funk tune. It’s not the first time they sink their teeth in another track to turn it completely upside-down. They did so before with songs by everyone from James Blake, Kings Of Leon to London Grammar.
Their reinvented version kicks off with tight, up-tempo drums, followed by the three piece horn section, which carries the song’s hook. Subsequently, The Bamboos’ stellar singer Kylie Auldist does what no-one would have thought possible: she does complete justice to Loleatta Holloway’s inimitable vocal.
Ride On Time will be the closing track on their upcoming tenth album Hard Up, which will be out on 7 May. It’ll also feature the band’s three 2020 singles Hard Up, While You Sleep (feat. Ev Jones) and Power Without Greed.
Recommended as well:
The Bamboos – Night Time People
The Bamboos (feat. Montaigne) – I’ll Make You Happy
Follow The Bamboos on Facebook | Instagram | Twitter | Spotify
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single track
TESSÆ – Salope
Marseille-based TESSÆ is an upcoming artist on the French music scene. She moves somewhere halfway pop princess Angèle and urban acts like Damso.
Only 19 years old, she deals with a grown-up subject on her new single Salope (French for ‘bitch’). It’s about women being harassed by men in public spaces. Since rejecting the advances might evoke aggressiveness, it’s better not to look around, but to just walk on, TESSÆ pleads.
Salope is the first single off her forthcoming EP Été (‘summer’), which follows the EP Printemps (‘spring’). With a nod to Vivaldi’s Four Seasons, the singer’s third and fourth EP in this series will be titled Automne (‘autumn’) and Hiver (‘winter’).
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single track
Josephien – Talk To Me
Incredible how a small country like Belgium can hold so much talent. Take Josefien Deloof, for instance. In 2018, she and her band won the public’s choice award at the Rock Rally competition. Since then, they toured a lot in Belgium and its neighbouring countries. During that time, she changed stage names a few times. Josefien became Josephine, but she now goes by the moniker of Josephien. Details matter!
Early this year, I saw her performing a Warner Music showcase at the ESNS festival. An impressive set, even though she was onstage with only a keyboard. And honestly, her recognizable, husky voice (reminiscent of Selah Sue’s) doesn’t need much instrumental accompaniment. Her debut single Talk To Me is great proof of that. The start of it, with only a simple guitar melody alongside her voice, immediately makes for a lounge-y feel. Only a few soft high synth notes and a languid rhythm section are added, and that’s all the song needs.
Josephien doesn’t believe in musical monogamy. Therefore, she hasn’t decided upon her musical direction yet. But the restrained happiness of this confident, soulful debut single fits her like a glove.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
werner's weekly
Werner’s Weekly (week 45)
This is Werner’s Weekly, your compass to the music that matters, containing the two most recent Carte Blanche Music Wildcards, and the best of the other new releases in alphabetical order:
- Palaye Royale – Hang On To Yourself (Wildcard this week)
- Lizzo & Ariana Grande – Good As Hell [Remix] (Wildcard last week)
- Barrie – Drag
- Hayley Mary – The Piss, The Perfume
- Inge van Calkar – Get Out Of My Way
- Therapie Taxi – Candide Crush
- Zola – Crystal Floors
Click the links for more info and listen to each of the tracks via the Werner’s Weekly player below.
For more great new music, follow the constantly updated Carte Blanche Music playlist. Also added last week: Ariana Grande (with Chaka Khan), Haim, Pixies, The Script, and many more.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
single track
Latest Wildcards: Client Liaison, Sheila & The Kit, Kasador, Lizzo & Ariana Grande
Aaaaaaaaaand, we’re back! After a great holiday in Australia, I’m completely ready to continue and recommend you the best new tracks. Most of them are too good for the radio, but as a music missionary man, I see it as my duty to provide them with a platform. In the end, of course, it’s you who decides.
October wasn’t only a great month to take some time off, it was also a great month for new music. Traditionally, in anticipation of the year-end period, October is a month with many releases. This year is no exception. Throughout my holiday, I updated my Carte Blanche Music Spotify playlist regularly. Head over there for an overview of recent new tracks you wouldn’t want to miss. Today, I’ll also resume my recommendations on this blog. But for a start, let me present to you the Carte Blanche Music Wildcards of the past four weeks:
Week 40: Client Liaison – The Beat Supreme
It only felt appropriate that the first Wildcard during my holiday would come from an Australian act. Enter indie-pop duo Client Liaison, consisting of Monte Morgan (vocals), and Harvey Miller (keyboards, producer). I wrote about their earlier single The Real Thing before. The band are influenced by late ’80s and early ’90s electronic and house music, as can be heard again on their new single The Beat Supreme.
Week 41: Sheila & The Kit – Mike [Edit]
Easy Lover by Philip Bailey & Phil Collins was the very first Wildcard in 1985. Mike by Sheila & The Kit was #1800! It’s a track off the Dutch alternative synth-pop outfit’s first EP, appropriately titled EP. Since it lasts 7’39 on there, I suggested it should be edited and put out as a single. And ta-dah… someone listened 😉. Although four and half a minute have been chopped off, the song still has the same great vibe and energy. It now fits the dance floor and the radio!
Week 42: Kasador – Givin’ It Up
You may know Canadian indie-rock band Kasador from their recent track High Rise. This is one of the 12 tracks on their debut album Brood And Bloom. The long-player was partly produced by Rob Baker and Gord Sinclair of The Tragically Hip, and partly by Graham Walsh (Sam Roberts, Lights, Wintersleep). The latter produced the band’s new single Givin’ It Up.
Week 43: Lizzo & Ariana Grande – Good As Hell [Remix]
In 2016, Lizzo recorded Good As Hell for the soundtrack of the movie ‘Barbershop: The Next Cut’. It also served as the lead single from her debut EP Coconut Oil. Following her performance at the MTV Music Video Awards, it’s climbing up the Billboard charts. A new version of the song, as a duet with Ariana Grande, will only enhance this success. A well-deserved belated hit.
For more great new music, follow the constantly updated Carte Blanche Music playlist.
I’m a music industry watcher and journalist. Worked at a CD club, a record store chain and was editor in chief of an entertainment trade magazine. Have been in the radio business since 1987, producing and presenting shows. Was music director of several stations. Also, I developed the European Border Breakers Chart, Music Moves Europe Talent Chart and ESNS Chart. CEO of Werner Bros. tekst | uitleg.
